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UID:6034@bankfarmridingschool.co.uk
DTSTART;TZID=Europe/London:20251203T180000
DTEND;TZID=Europe/London:20301128T190000
DTSTAMP:20260406T145045Z
URL:https://bankfarmridingschool.co.uk/events/mixed-level-group-lesson-3/
SUMMARY:Mixed Level Group Lesson
DESCRIPTION:&nbsp\;\nYou will need to be Registered and Added your Rider(s)
  on https://bankfarmridingschool.ecpro.co.uk You will also of had to be gr
 aded to see what level you are with us and then you will be able to see wh
 at availability we have\nLevel Three\n1. Explain prepare to Canter\n(CHECK
  POSTIION\, SHORTEN REINS SLIGHTLY\, HALF HALT BUT KEEP LEG ON\, SITTING T
 ROT\, ASK AS GOING IN TO THE CORNER\, INSIDE BEND FOR CORRECT CANTER LEAD)
 \n 2. Explain &amp\; Use Aids to canter\n(SITTING TROT –\n\nLITTLE BIT 
 MORE WEIGHT ON THE INSIDE SEAT BONE YOUR SEAT DRAWS UP THE HIND LEG STRONG
  RHYTHM -–\n\nINSIDE LEG ON THE GIRTH ASKS FOR MILD BEND TO PREPARE THE 
 INSIDE LEAD &amp\; HELPS WITH BALANCE-\n\nINSIDE REIN DOES VERY LITTLE ACT
 S AS A NECK REIN IT SITS THERE AND PREVENTS HORSE DRIFTING OUT –\n\n1 TO
  3 HALF HALTS BEFORE TRANSITION TO BALANCE WEIGHT TO THE HIND END KEEP LEG
 S ON FOR IMPULSION AFTER THE HALF HALTS —\n\nOUTSIDE LEG SLIGHTLY BACK B
 EHIND THE GIRTH TELLS THEM WHICH LEAD BEHIND\n\nOUTSIDE REIN HELP TO CONTR
 OL SPEED AND KEEP THEM OUT ON THE TRACK)\n3. Figure of 8s\n(2 20M CIRCLES 
 PUT TOGETHER – NO STRAIGHT LINES)\n4. Serpentines\n(NO STRAIGHT LINES bu
 t when starting to learn a serpentine it is best to rid the straight line 
 then the loop will become better with practice\, LOOPS\, EACH TIME CROSS O
 VER THE CENTER LINE SHOULD CHANGE DIAGONAL\, LOOPS EQUAL) (3 LOOP\, 4 LOOP
 \, 5 LOOPS ECT)\n\n(diagrams are 3 loops serpentine)\n5. Trot 20m circles 
 from E &amp\; B \n6. Balance Canter\n 7. Understand &amp\; Explain Cant
 er Lead\n(HORSES FRONT INSIDE LEG SHOULD STRIKE OUT FURTHER FORWARD THAN T
 HE OUTSIDE FRONT LEG\n\nTHEY TAKE OFF WITH THERE OUTSIDE BACK LEG AND LEAD
  WITH THERE INSIDE FRONT\n\n(THEY CAN BE CORRECT WITH FRONT LEGS AND INCOR
 RECT WITH BACK LEGS WHICH IS CALLED MANY NAMES BUT WE USE THE TERM DIS-UNI
 TED THIS USUALLY FEELS AWFUL\, BUMPY &amp\; OFF BALANCE. BACK TO TROT AND 
 ASK AGAIN)\n\n(IF THE HORSE IS INCORRECT IN FRONT BACK TO TROT ASK AGAIN)\
 n 8. Check Canter Lead Whilst mounted\n 9. Walk without stirrups\n 10
 . Trot without stirrups\n 11. Adjust Own Stirrups\n 12. Understand bea
 ts of Pace\, Walk\, Trot &amp\; Canter\n\n 	WALK IS 4 BEAT EACH FOOT HITS 
 THE GROUND INDEPENDENTLY\n\nThe footfall sequence is:\n\nLeft Hind – Lef
 t Front – Right Hind – Right Front.\n\n 	TROT IS A 2 BEAT FEET GO IN D
 IAGONAL PAIRS\n\nThe footfall sequence is:\n\nLeft Hind + Right Front – 
 Suspension – Right Hind + Left Front – Suspension\n\n 	CANTER IS A 3 B
 EAT 1 PAIR OF FEET STRIKE AND THE OTHER 2 LAND INDEPENDENTLY\n\nRight Lead
  Canter\n\nLeft Hind – Right Hind + Left Front – Right Front – Suspe
 nsion\n\nLeft Lead Canter\n\nRight Hind – Left Hind + Right Front – Le
 ft Front – Suspension\n\n 	DON’T NEED TO KNOW GALLOP BUT IF THEY WANT 
 TO KNOW IT IS 4 BEAT SEQUENCE\n\nRight Lead Gallop\n\nLeft Hind – Right 
 Hind – Left Front – Right Front – Suspension\n\nLeft Lead Gallop\n\n
 Right Hind – Left Hind – Right Front – Left Front – Suspension\n13
 .  Position for Level 3\n(VERTICAL LINE EAR- SHOULDER- HIP – HEEL\, EYE
 S UP AND AHEAD\, STRAIGHT LINE FROM ELBOWS SOFT WITH SLIGHT BEND – HAND 
 DOWN THE REIN TO THE HORSES MOUTH\, THUMBS ON TOP POINTING TOWARDS HORSES 
 EARS\, SIT EQUALLY ARCROSS BOTH SEAT BONES\, RELAX SEAT\, HIPS &amp\; PELV
 IS\, KNEE &amp\; THIGH REST LIGHTLY AGAINS SADDLE NOT GRIPPING)\n 14.  
 Understand Aids (Natural &amp\; Artificial)\n\n 	COMMUNICATION BETWEEN RID
 ERS AND HORSE)\n 	ARTIFICIAL AIDS- MAINLY WHIPS &amp\; SPURS\n 	NATURAL AI
 DS- VOICE\, HANDS\, LEGS\, BODY\, SEAT\n\n(HANDS – COMMUNICATION THROUGH
  REINS TO THE BIT\, SHOULD BE LIGHT FLEXIBLE- USE OF HAND AID MUST BE USED
  WITH SEAT\, LEG AIDS- ABOVE HORSES WITHERS LEVEL WITH EACH OTHER\n\n 	TUR
 NING – GENTLE SQUEEZING THE REIN ASKS THE HORSE TO TURN HEAD IN THAT DIR
 ECTION\n 	HALTING –PRESSURE ON BOTH REINS WITH SEAT AND LEG PROVEDING EN
 ERGY A HALT WILL PRODUCED\n\n(VOICE – WORD\, TONE &amp\; LENGTH OF TIME 
 THE WORD IS HELD FOR INDICATES UPWARDS/DOWNWARDS TRANSITIONS\n\n 	UPWARD T
 RANSITION – EMPHASIS THE LETTER WITH RISE IN TONE TOWARDS END OF WORD\n 
 	DOWNWARD TRANSITION – LOWER TONE TOWRDS END OF WORD STRETCH THE WORD OU
 T\n 	COLLECTION – CALM\n\n(SEAT – COLLECTION\, BALANCE\, STEERING\, FO
 RWARD MOVEMENT\, CONTROL\, STABILITY\n\n 	SEAT – CENTRAL IN SADDLE\, EVE
 N DISTRIBUTION OF WEIGHT OFN SEAT BONES\, ALTER WHEN ASK HORSE TO MOVE DIR
 ECTION\, DO NOT COLLAPSE THROUGH HIP\n 	HIPS –LEVEL AT ALL TIMES\, SUPPL
 E TO ALLOW MOVEMENT ABSORBED THROUGH SEAT\n 	PELVIS – ABSORD MOVEMENT\, 
 HELPS CONTROL CENTRE OF GRAVITY\, ENCOURANGES HORSE TO ACCELERATE\n\n(LEGS
  – USED WITH SEAT &amp\; HAND TO COMMUNICATE – DIRECTION\, GAIT\, LEVE
 L OF ACTIVITY\, UPWARD DOWNWARD TRANSITIONS\, LATERAL MOVEMENTS\n\n 	ON TH
 E GIRTH – PRODUCES ENERGY/FORWARD MOVEMENT – BOTH LEGS ON THE GIRTH FO
 RWARD/STRAIGHT\, 1 LEG BEHIND THE GIRTH WILL ASK EITHER CHANGE DIRECTION O
 R CANTER DEPENDING ON LEVEL OF PRESSURE\n 	LOWER LEG BEHIND THE GIRTH – 
 ABOUT 2-3 INCHES MORE CONTROL OVER HINDQUARTERS- FORWARD\, BACKWARD\, DIAG
 ONALLY OR SIDEWAYS MOVEMENTS\, UPWARD TRANSITIONS EG CANTER OR LATERAL MOV
 EMENT EG LEG YIELD\, BOTH LEGS BEHIND THE GIRTH CORRECT USE WITH SEAT AND 
 LEGS WILL AID REIN BACK\n\n(WHIP – INSIDE HAND USED TO BACK UP RIDERS LE
 G AND ENCOURAGE HORSE TO MOVE FORWARD)\n\n(SPURS – ON THE RIDERS HEEL TO
  GIVE PRECISE LEG AID ONLY WORN BY EXPERIENCED RIDERS)\n 15. Balance\n16
 . Check Girth\nLevel Four\n1. Continue working on Balanced Cantering \n2.
  Trotting Pole without stirrups \n3. 7 phases of jumping\n\n 	(TURN -APPR
 OARCH-TAKE OFF-FLIGHT-LAND-GET-AWAY- TURN)\n 	REMAIN BALANCED\n 	IMPULSION
 \n 	POSITION – OPEN SHOULDERS ON TURN \n 	1. TURN  – ACCURATELY –
  LINE UP WITH CENTRE – SIT UP – LOOK AHEAD – RIDE LEG TO HAND – KE
 EP BALANCED RHYTHM – IMPULSION\n 	 2. APPROACH  – CENTRE OF JUMP 
 – SIT UP – LOOK AHEAD CHANNELING HORSE FORWARD – BETWEEN HAND &amp\;
  LEG TO MAINTAIN STRAIGHT LINE – MAINTAIN IMPULSION &amp\; BALANCE\n 	3.
  TAKE OFF – POINT WHICH HORSE GATHERS HINDLEGS UNDERNEATH ITS BODY &amp
 \; STARTS TO LIFT FOREHAND – LOWER LEG SECURELY WRAPPED ROUND – MAINTA
 IN ENERGY &amp\; FORWARDNESS – HANDS FOLLOW MOVEMENT OF HORSES HEAD NECK
  BUT MAINTAIN CONTACT THROUGH REIN – LOOK AHEAD\n 	4. FLIGHT – IN THE 
 AIR – FOREHAND WELL LIFTED\, BACK WELL ROUNDED\, FORELEGS &amp\; HINDLEG
 S TUCKED UP – FOLDED IN TO JUMPING POSITION\, UPPER BODY LOWERED\, SEAT 
 SLIPPED TO BACK OF SADDLE – HANDS ALLOW STRETCH THE NECK\, BACK &amp\; B
 ODY GIVES FREEDOM OF MOVEMENT\, WHILE MAINTAINING LIGHT CONTACT – LOWER 
 LEG STAYS SECURELY WRAPPED AROUND MAINTAIN BALANCE\n 	5. LAND – HORSE 
 STRETCHES OUT &amp\; EXTENDS FORELEGS READY TO LAND – HORSE SHOULD LAND 
 ON FORELEG WANTING THE CANTER LEAD ON – UPPER BODY COMES BACK UP – MAI
 NTAIN CONTACT – LEGS REMAIN IN POSTION – LOOK AHEAD\n 	6. GET AWAY 
  ­­- MOVING AWAY FROM THE JUMP TO THE NEXT – MAKE SURE HORSE IS BALAN
 CED\, PLENTY OF ENERGY &amp\; IMPULSION- CORRECT CANTER LEAD – LEGS SECU
 RE\n 	7. TURN –  TURNS AWAY FROM ONE FENCE TO ANOTHER THIS STAGE STAR
 TS ALL OVER AGAIN OR IF SINGLE FENCE STAY STRAIGHT\n\n4/5. Able Ride A Dem
 i Voltes &amp\; Reverse Demi Voltes\n\n 	DEMI VOLTE – ½ 10 MENTRE CIRCL
 E TO THE CENTRE LINE THEN A DIAGONAL LINE BACK TO THE TRACK TO CHANGE THE 
 REIN\n 	REVERSE DEMI VOLTE – DIAGONAL LINE TO CENTRE LINE LETTER THEN ½
  10 METRE CIRCLE BACK TO THE TRACK TO CHANGE THE REIN \n\n6. 2X ½ 10 met
 re Circles to change the rein  \n7. Turn on the Forehand\n\n 	HALT\, TO 
 STOP FORWARD MOVEMENT APPLY STEADY PRESSURE ON REINS – SIT UP STRAIGHT 
 \n 	PRESSURE PLACED 3-4 INCHS BEHIND THE GIRTH WITH YOUR OUTSIDE LEG – H
 ORSE WILL MOVE AWAY FROM THE PRESSURE\, HORSES HIND LEGS WILL MOVE IN FRON
 T &amp\; ACROSS THE OTHER HIND LEG\, THE OPPOSITE FRONT LEG TO YOUR PRESSU
 RE LEG WILL ALSO MOVE AROUND THE OTHER FRONT LEG WILL STAY STILL \n 	YOUR
  OTHER LEG (INSIDE) SHOULD BE KEPT STEADY SO TO KEEP YOUR BALANCE AND STOP
  THE HORSE TRYING TO TURN TOO QUICKLY \n 	REINS TO CONTROL FRONT OF HORSE
  – GOOD CONTROL PREVENTS YOUR HORSE MOVING FORWARDS – OUTSIDE HAND LIF
 T UP AND BACK TO FLEX HORSES NECK SLIGHTLY IN THE DIRECTION OF TURN\, FLEX
  UNTIL YOU CAN SEE CORNER OF EYE – USE OTHER REIN FOR SUPPORT TO KEEP HO
 RSE FROM MOVING FORWARDS\, OUTSIDE REIN CLOSE TO NECK   \n 	HALF HALT E
 ACH STEP UNTIL COMPLETE TURN 180 DEGREES – POSITVIE PRAISE AFTER \n 	TU
 RNING RIGHT RIGHT LEG BACK – RIGHT REIN FLEX \n 	TURNING LEFT LEFT LEG 
 BACK – LEFT REIN FLEX\n\n8. 15m circles in walk  (A&amp\;C)\n9. 10m ci
 rcles in walk (A&amp\;C)  \n10. Lighten seat \nINVOLVES STANDING ON YOU
 R OWN 2 FEET WHILE WORKING YOUR HORSE – BALANCE YOURSELF\, NO LEANING\, 
 HOLDING ON CROUCHING DOWN ON NECK – CLEARANCE BETWEEN BOTTOM AND SADDLE 
 – ALLOWS HORSE TO MOVE MORE FREELY – IMPROVES BALANCE\, FITNESS AND CO
 ORDINATION- FEET CORRECTLY POSITIONED IN STIRRUP\, ALLOWS ANKLES\, KNEES &
 amp\; HIPS BECOME MORE EFFECTIVE SHOCK ABSORBERS – ENGAGE YOUR CORE (TUM
 MY MUSCLES) – STRAIGHT BACK – HANDS &amp\; ARMS INDEPENDENT KEEP CONTA
 CT\n11. Jumping Position \nTHIS INVOLVES THE RIDER CENTERED OVER HIS/HER 
 FEET – STIRRUP LEATHERS 90 DEGREE ANGLE TO THE GROUND\, CONTINUING A LIN
 E UPWARDS FROM THE STIRRUP LEATHERS- THE HEAD\, SHOULDERS &amp\; KNEES FAL
 L IN FRONT OF THE LINE – HIPS FALL BEHIND IT\n\n 	LEG HANG DOWNSIDE EVEN
  CONTACT ALONG WHOLE LENGTH – INNER THIGH\, KNEE &amp\; CALF – WEIGHT 
 ALONG BACK OF LEG INTO HEEL FLEXIBLE ANKLE \n 	SEAT\, HIPS &amp\; THIGHS 
 –WEIGHT TOWARDS PELVIS\, ENOUGH WEIGHT IN STIRRUP TO SUSPEND IN THE AIR 
 OVER THE SADDLE – HIPS NOT TOO FAR FORWARD IT CHANGES THE BALANCE –HIP
 S\, FLEXIBLE\, MOVE BACKWARDS\, BETWEEN FENCES THE THIGHS TAKE UP WEIGHT O
 F RIDER NOT THE SEAT BONES\n 	UPPER BODY\, SHOULDERS\, HEAD\, TRUNK – LO
 OK UP IN DIRECTION YOU ARE GOING – BACK FLAT – OPEN CHEST – SHOULDER
 S OPEN \n 	RELEASE – GRAB MANE OR SLIDE HANDS UP CREST AS TAKE OFF\n\n1
 2. Single Fence Jumping  \n13. Be able to check &amp\; adjust girth whi
 le mounted  \n14. Understand &amp\; Explain Impulsion\nMOVEMENT OF HOES
 E – FORWARD AND CONTROLLED POWER – EFFECTIVE USE OF POWER IN THE HIND 
 QUARTERS – TO ACHIEVE A HORSE MUST NOT USE SPEED BUT USE MUSCLUAR CONTRO
 L – HORSE RELAXED BACK WILL ALLOW HINDQUARTERS TO COME WELL UNDER ITS BO
 DY AND THIS IS CALLED “ENGAGED”.\n15. Understand Half halt &amp\; whe
 n Used \n(A SPONGE EFFECT ON THE REIN(S))\n16. Trotting Poles \n17. Cant
 er Poles\n18. Raised Trotting Poles \nTO BUILD UP MUSCLE ON TOP LINE SHOU
 LDERS AND BACK – MORE FLEXIBLE – ENCOURAGES LEGS TO LIFT OVER JUMPS\n1
 9. Balance for Level 4\n20. Position for Level 4\n21. More Changes of Rein
 s &amp\; Other Movements  \n22. Continue Perfecting school movements and
  changes of reins learnt in previous Levels \n23. Canter 20m Circles\n2
 4. Start Strides\n25. 15m circles in Trot (A&amp\;C)\n26. 10m circles in
  Trot (A&amp\;C)\n27. Canter without Stirrups\n28. Acute Transitions\n29.
  Confidence\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\
 n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n&nb
 sp\;\nLevel Five\n1. Jump combinations \n2. Gird work \n3. Knowledge of 
 strides &amp\; Jumping Strides\n&nbsp\;\n4. 15m circles in trot\n&nbsp\;\n
 5. 10m circles in trot\n6. Shallow loops\n7. Poles in canter\n\n\n\nGait\n
 Feet\nBoot Lengths\nSteps\n\n\nWalk\n2.5′ – 3′\n3 – 4\n1 normal\n\
 n\nTrot\n3.5′ – 4′\n4.5 – 5\n1 large\n\n\nCanter\n9′ – 12′\n
 12 – 16\n3 normal steps\n(9′ stride)or4 normal steps\n(12′ stride)\n
 \n\n\n8. Rein Back \nESTABLISH HALT – SEAT REMAIN IMMOBILE – LEGS ASK
  HORSE TO KEEP CONTACT WITH BIT – KEEP REIN CONTACT SOFT – MOVE BOTH L
 EGS BACK FROM HIP – KEEP WEIGH DOWN THROUGH BACK AND SEAT – ASK TO MOV
 E BACK\, LEG\, SEAT &amp\; REIN – WITH SEAT PRESS BACKWARDS\, UPPER BODY
  STAYS TALL THIS ASKS THE HORSE TO LOWER HIS CROUP AND MOVE BACK – LEG A
 ND REIN WORK IN ALTERNATE PAIRS\, LEG REIN 1 SIDE ASK THEN THE OTHER SIDE\
 , HORSE WILL MOVE BACK IN DIAGONAL PAIRS – RELEASE PRESSURE AND THEN ASK
  THEM TO MOVE FORWARDS AGAIN\n9. Aids of a circle\n\n 	INSIDE LEG — ON G
 IRTH — KEEPS IMPULSION – ENGAGES INSIDE HIND LEG – ASKS FOR BEND \n
  	OUTSIDE LEG – SLIGHTLY BEHIND THE GIRTH – CONTROLS HINDQUARTERS STOP
 S THEM FALLING OUT – GENERATES FORWARD MOVEMENT \n 	INSIDE HAND – BEN
 D THROUGH HORSES NECK \n 	OUTSIDE HAND – CONTROLS PACE – PREVENTS NEC
 K OVER BENDING – PREVENTS HORSE FALLING OUT THROUGH SHOULDERS\n 	HIPS &a
 mp\; SHOULDERS PARALLEL WITH HORSES SHOULDERS – BODY UPRIGHT – LOOK AH
 EAD ROUND THE CIRCLE\n\n10. Canter without Stirrups \n11. Continue Perfe
 cting Jumping Position \n12. Continue Perfecting Lighten Seat \n13. Leg 
 Yield\nEASIEST WAY FROM ¾ LINE BACK TO THE TRACK – HELPS DEVELOP FEEL &
 amp\; COORDINAITON — FORWARD &amp\; SIDEWAYS – BODY REMAINS STRAIGHT 
 –INSIDE FEET STEP REGULARLY &amp\; EVENLY INFRONT &amp\; ACROSS THE OUTS
 IDE FEET— RIDING ON 2 TRACKS\n\n 	TURN ON TO ¾ LINE – FEW STEPS STRAI
 GHT\n 	MOVE WEIGHT IN TO INSIDE SEAT BONE \n\n\n 	INSIDE LEG SLIGHTLY BEH
 IND THE GIRTH –PUSH THE HORSES QAURTERS FORWARDS &amp\; SIDWAYS TOWARDS 
 THE TRACK \n 	OUTSIDE LEG ON THE GIRTH BUT IF THE HORSE STARTS TO LEAD WI
 TH ITS QUARTERS MOVE THE OUTSIDE LEG BACK A LITTLE ALSO HELPS KEEP MOVING 
 FORWARDS \n 	INSIDE REIN – SLIGHT FLEXION TO INSIDE \n 	OUTSIDE REIN K
 EEPS HORSE STRAIGHT – PREVENTS TOO MUCH NECK BEND – CONTROL OUTSIDE SH
 OULDER\n 	AS HIT THE TRACK – REMOVE FLEXION AND MAKE HORSE STRAIGHT  \
 n\n14. Shoulder In \nHIND LEGS ON LINE OF TRAVEL\, SHOULDERS DISPLACED I
 NSIDE — 3 TRACKS – OUTSIDE HIND LEG TRACKS ALONG WALL\, INSIDE HIND LE
 G &amp\; OUTSIDE FORELEG ON SAME TRACK PARALLEL TO WALL\, INSIDE FORELEG O
 N INNER TRACK PARALLEL TO WALL — BENDING BODY AROUND RIDERS INSIDE LEG W
 ITH POLL FLEXED TO THE INSIDE – AWAY FROM THE DIRECTION OF TRAVEL) KEEP
  RHYTHMIC\, RELAXED\, CONNECTED &amp\; WITH SOME IMPULSION – UNDERSTANDE
  AIDS FOR LEG YEILDING — HORSE MUST BEND CORRECTLY ON A 10M CIRCLE ASWEL
 L \n\n 	Start with a 10-meter circle\n 	Inside rein leads the shoulders (
 and neck) off the wall while the inside leg pushes the rib cage and inside
  hind into the outside rein\, which catches the shoulder and produces the 
 half halt. The outside leg behind the girth keeps the haunches from fallin
 g out.\n 	Weight equal on both sides\,Horse follows your weight. If you si
 t to the inside too much\, the horse might move in that direction and off 
 the wall.\n 	Your shoulders and hips should be turned inside slightly para
 llel to the horse’s shoulders so the outside hip and shoulder move forwa
 rd\n 	Horses shoulders should be on the wall at the end of the movement fr
 om the inside leg. Don’t stay in the shoulder-in for too long. There is 
 no test that has the exercise ridden for more than half the long side (30 
 meters).\n\n15. Dressage tests \n16. Course work\n17. Flying Changes \
 n\n\n\n\n\n\nASKING FOR LEFT FLYING CHANGE \n\n 	SEAT – RIGHT SEAT BONE
  FORWARDS TOWARDS HORSES RIGHT EAR \n 	RIGHT LEG – CLOSE RIGHT LEG ON G
 IRTH ASK HORSE TO GO FORWARDS DURING CHANGE \n 	LEFT LEG – MOVE LEFT LE
 G BEHIND THE GIRTH SIGNAL NEW OUTSIDE HIND LEG TO STRIKE OFF INTO NEW LEAD
  – QUICK AID \n 	LEFT REIN – CLOSE LEFT HAND IN A FIST TO KEEP LEFT H
 IND LEG ON GROUND AND MAINTAIN UPHILL BALANCE \n 	RIGHT REIN – SOFTEN R
 IGHT REIN SO NOT TO BLOCK NEW INSIDE FRONT LEG FROM COMING FORWARD\n\n18.
  Turn on the Forehand\n\n 	HALT\, TO STOP FORWARD MOVEMENT APPLY STEADY P
 RESSURE ON REINS – SIT UP STRAIGHT \n 	PRESSURE PLACED 3-4 INCHS BEHIND
  THE GIRTH WITH YOUR OUTSIDE LEG – HORSE WILL MOVE AWAY FROM THE PRESSUR
 E\, HORSES HIND LEGS WILL MOVE IN FRONT &amp\; ACROSS THE OTHER HIND LEG\,
  THE OPPOSITE FRONT LEG TO YOUR PRESSURE LEG WILL ALSO MOVE AROUND THE OTH
 ER FRONT LEG WILL STAY STILL \n 	YOUR OTHER LEG (INSIDE) SHOULD BE KEPT S
 TEADY SO TO KEEP YOUR BALANCE AND STOP THE HORSE TRYING TO TURN TOO QUICKL
 Y \n 	REINS TO CONTROL FRONT OF HORSE – GOOD CONTROL PREVENTS YOUR HORS
 E MOVING FORWARDS – OUTSIDE HAND LIFT UP AND BACK TO FLEX HORSES NECK SL
 IGHTLY IN THE DIRECTION OF TURN\, FLEX UNTIL YOU CAN SEE CORNER OF EYE –
  USE OTHER REIN FOR SUPPORT TO KEEP HORSE FROM MOVING FORWARDS\, OUTSIDE R
 EIN CLOSE TO NECK   \n 	HALF HALT EACH STEP UNTIL COMPLETE TURN 180 DEG
 REES – POSITVIE PRAISE AFTER \n\n\n 	TURNING RIGHT RIGHT LEG BACK – R
 IGHT REIN FLEX \n 	TURNING LEFT LEFT LEG BACK – LEFT REIN FLEX \n\n19.
  Outline\nCORRECT OUTLINE IS OUTCOME OF BUILD UP OF CORRECT MUSCLE – BE
 NEFITS OF BEING RIDDEN IN THIS FRAME\, NEEDS TO BE WORKING CORRECTLY\, MOV
 E FREELY IN CONTACT\, BACK RAISED &amp\; SUPPLE\, NECK EXTEND IN LIGHT ARC
 H FROM WITHER TO POLL WITH NOSE JUST IN FRONT OF THE VERTICAL.\n\nBalance\
 n\n 	Aim to maintain a light rein contact to encourage the horse to stay i
 n balance. Horse who is unbalanced and in particular heavy on their foreha
 nd will lean on the bit and the reins pulling the rider’s arms forward.\
 n\nStretching\n\n 	When the rider moves their hands in a forward direction
  combined with the use of their leg and seat pushing\, the horse to remain
  engaged through their hindquarters and light on the bit thereby allowing 
 the rider to open out the horses neck and frame.\n 	Stretching can be used
  when asking for free walk on a long rein or when opening the horses strid
 e out\, for example when riding lengthened strides.  \n\n\n\n\n\n\n\n\n\
 n\n\n20. Footfall \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n2
 1. Acute Transitions\n22. Balance  \n23. Position\n24. Self Confidence 
 \n25. Helping the Horse\n26. Confidence and ALL horses within the Riding S
 chool   \n\nLevel Six\n1. More work on Strides\n\n\n\n \n12hh\n15hh\n17
 hh\n\n\nTrot to Bounce\n7-8ft\n9-10ft\n11-12ft\n\n\nCanter to Bounce\n8-9f
 t\n10-11ft\n12-13ft\n\n\nTrot Double 1 stride\n14-16ft\n17-19ft\n20-22ft\n
 \n\nCanter Double 1 stride\n17-19ft\n20-22ft\n23-25ft\n\n\nTrot Double 2 s
 tride \n23-25ft\n27-29ft \n31-33ft\n\n\nCanter Double 2 stride\n26-28ft\
 n30-32ft\n34-36ft \n\n\nTreble – usually 1st part 1 stride\, 2nd part
  2 strides \n\n\n\n2. More Grid work\n3. Aids to Canter\n4. Aids on a Cir
 cle\n5. more combination work\n6. Flying Change on Figure of 8\n7. Outline
 \n8. Turn on the Haunches\n9. Acute Transitions\n10. Canter Leg Yield\n11.
  Balance\n12. Position\n13. Fluent over course\n14. Drill work\n15. Flying
  change on straight\n16. Continue perfecting everything you have learnt ov
 er the levels – Keep going you never stop learning and improving \n17. 
 Lunging/Groundwork\n\n\n\n
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